![]() And we knew “Julia must free herself from her own cage … through her own cunning, through her own wit, through her own smarts, through her own charms.” “I always knew we wanted to start in a place where Julia and Vicious were together, but Julia was a bit of a caged bird,” said Nemec. But Nemec knew her story had to be more than just being the woman at the center of Spike and Vicious’ rivalry. “There was so much whole cloth that we were building, we didn’t want this to be just this full-time departure” from the anime.Īs in the anime, the live-action Julia is caught between Spike, Vicious and the world of their criminal syndicate. Julia “was the hardest character to get our claws into as storytellers,” said Nemec. She is a much larger presence in the live-action adaptation, which addresses her, Spike and Vicious’ (Alex Hassell) shared past more clearly. This was particularly significant for Julia, who in the anime mostly serves as a specter from Spike’s past, appearing only as flashes in his memory until the final episodes. Nemec and his team also were sensitive to instances in the anime where women, including Faye and Julia, were essentially reduced to dramatic devices to further the story of the male characters. It’s an experience Faye chooses, one that contributes to the process of figuring out who she is. But the scammer is entirely reimagined for the live-action series, which, among other things, results in this romantic element being completely excised from live-action Faye’s past.Īnd when a mechanic propositions her in an episode of the new series, their tryst is not part of a scheme. Part of Faye’s anime backstory involves her being romanced by a con man who fakes his death to saddle her with his insurmountable debts. To dig into a deeper narrative in places for these characters.” … This felt like a great opportunity to mine their stories and to answer some of the things that I felt in the poetry that was the anime. “Spike, Jet, Faye, Vicious, Julia - they’re such delicious characters in the anime. “I knew we were treading on hallowed ground,” said Nemec during a recent video call. This includes the ship’s hard-working captain, Jet Black (Mustafa Shakir), his laid-back partner with a mysterious past, Spike Spiegel ( John Cho), and - eventually - the scrappy and determined Faye Valentine (Daniella Pineda). ![]() Set in the not-too-distant future after humans have had to colonize other planets and moons within the solar system, “Cowboy Bebop” follows a misfit crew of bounty hunters who operate out of the spaceship Bebop. ![]() That was the guiding mantra for showrunner and executive producer André Nemec and the cast and crew of Netflix’s live-action adaptation of the beloved anime series, which hit the streamer Friday. ![]() Watanabe also went on to create multiple acclaimed anime series with some similarities to Cowboy Bebop, including Samurai Champloo, Space Dandy, and Kids on the Slope.“It’s ‘Cowboy Bebop,’ let’s not f- this up.” So even though it was a short anime series, Cowboy Bebop’s creative and original style made its mark. The success of Cowboy Bebop's single season also inspired the loosely-adapted Netflix series, a movie, and a short manga. For the creator himself, it was the right move. It's only since Cowboy Bebop has become acknowledged as a trailblazer, not only changing anime but working as a perfect gateway anime for new fans, that that lack of more episodes has really been felt as a missed opportunity. Watanabe clearly had no intention of expanding the show and cited not wanting Cowboy Bebop to become like Star Trek, a continuing series with no end planned. Although a few episodes appear disconnected from others, Cowboy Bebop still has an overarching plot about Spike and his past, and the last episode pretty much wraps that up perfectly. Since Cowboy Bebop wasn’t exactly a toy-friendly series (including the likes of Faye's revealing costume) and Watanabe’s planned ending was definitive, it’s clear the anime series was always meant to be only 26 episodes.
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